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‘We have to laugh’: Brexit artwork present hits Paris


Winners of a cross-Channel competition for amateur artists to shake off the Brexit blues have gone on show in Paris.

I Love You, Moi Non Plus drew greater than 400 entries together with work, illustrations, images, music and writing aimed toward exploring the brand new British-French relationship.

Many entries featured the union flag and tricolore, whereas others made reference to fishing, essentially the most contentious post-Brexit subject between the UK and France.

Ruth Mackenzie, the chair of Arts Council England’s London Space Council and former director of Scottish Opera, who divides her time between Paris and London, dreamed up the venture to remind folks that Brexit was extra than simply economics.

“The artwork submitted by people showed the depth of emotion sparked by Brexit, which ran from rage to grief and sadness with a lot of humour and wit. Most people found something to laugh about, even if it was bittersweet,” mentioned Mackenzie.

“We had entries from the young to the retired and from around the world. For me it showed that however heartbreaking Brexit is, we have to laugh.”

The competitors title, I Love You, Moi Non Plus was impressed by Serge Gainsbourg’s 1969 hit with Jane Birkin, Je T’Aime … Moi Non Plus. To encourage novice artists, a lot of celebrities additionally took half.

Art work on show on the Resort du Coulanges, Paris {Photograph}: ©doverstreetmarket

Brian Eno contributed a design combining the UK and French flags with the phrases “Enmeshed” and its French translation “Entrelacé”.

French director Mohamed El Khatib’s contribution was faculty traces in crimson, white and blue saying: “Je ne dois pas dire du mal de Boris Johnson (I must not say bad things about Boris Johnson).”

One work entitled One thing Treasured Has Been Misplaced was {a photograph} of two fingers holding a single yellow star from the European Union flag. One other confirmed Scottish and French fishers and the caption: “Tu apportes la sardine (you bring the sardines), I’ll bring the toast. Together we have a feast.”

Charlotte Paszkiewicz, whose entry confirmed a baby strolling a tightrope from a Parisian constructing to a London cellphone field, mentioned the competitors had given her an opportunity “to create an artwork about a subject very close to my heart”.

“I live in the UK with my English husband – we met through the Erasmus programme as students almost 20 years ago – and our eight-year-old little boy who I try to bring up bilingual and aware and proud of both English and French cultures.”

The venture, partnered by the Somerset Home arts centre and the style retailer Dover Avenue Market, was impressed by last year’s lockdown competition by David Hockney known as Hope in Spring.

“This was harder than the spring theme because people really had to think about expressing what life after Brexit meant to them. It was interesting that we had so many entries from children because the theme is quite a complicated concept,” Mackenzie mentioned.



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